Sal­va­ti­on (Glit­ter Doesn’t Care I’m A Boy)

A sci­ence fic­tion drag ritu­al and an expe­ri­men­tal invo­ca­ti­on for a con­stant dis­tri­bu­ti­on of desi­res based on visi­ons and fan­ta­sies Shlo­mi Moto Wag­ner has expe­ri­en­ced sin­ce he was three years old.

It explo­res trans­for­ma­ti­ons, muta­ti­ons and rema­ni­fes­ta­ti­ons of the idea of being, the sen­sua­li­ty of being a body, the poli­tics of having
a body and the poe­tics of sha­ring a bodi­ly experience.

This solo music thea­ter pie­ce is a mytho­lo­gi­cal and poe­tic rea­ding of cur­rent pop cul­tu­re and its aca­de­mic dis­cour­se. The music of ancient
Jewish texts and invo­ca­ti­ons tog­e­ther with visio­na­ry tunes of com­po­ser Hil­de­gard von Bin­gen from the 12^th cen­tu­ry is new­ly arran­ged with pop hits, tech­no com­po­si­ti­ons and con­tem­po­ra­ry femi­nist texts. All of this makes the ope­ra per­for­mance a ritu­al of transformation.

The­se four per­for­man­ces mark the tenth anni­ver­sa­ry of this solo.