{"version":"1.0","provider_name":"ZMB","provider_url":"https:\/\/musiktheater-berlin.de\/en\/","author_name":"Annalisa Derossi","author_url":"https:\/\/musiktheater-berlin.de\/en\/aktivitaeten\/author\/annalisa-derossi\/","title":"Dance for Nothing (revisited) &#8211; ZMB","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"bJxgMCh6tu\"><a href=\"https:\/\/musiktheater-berlin.de\/en\/termin\/dance-for-nothing-revisited\/\">Dance for Not\u00adhing (revi\u00adsi\u00adted)<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/musiktheater-berlin.de\/en\/termin\/dance-for-nothing-revisited\/embed\/#?secret=bJxgMCh6tu\" width=\"600\" height=\"338\" title=\"&#8220;Dance for Not\u00adhing (revi\u00adsi\u00adted)&#8221; &#8212; ZMB\" data-secret=\"bJxgMCh6tu\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/musiktheater-berlin.de\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","description":"In der Per\u00adfor\u00admance \u201eDance for Not\u00adhing (revi\u00adsi\u00adted)\u201c, die als Deutsch\u00adland\u00adpre\u00admie\u00adre im Radi\u00adal\u00adsys\u00adtem gezeigt wird, setzt sich die Cho\u00adreo\u00adgra\u00adfin Esz\u00adter Sala\u00admon erneut mit John Cages \u201eLec\u00adtu\u00adre on Not\u00adhing\u201c (1949) aus\u00adein\u00adan\u00adder. Sala\u00admon wid\u00adme\u00adte sich die\u00adsem Werk, das als einer der wich\u00adtigs\u00adten Tex\u00adte der expe\u00adri\u00admen\u00adtel\u00adlen Lite\u00adra\u00adtur des 20. Jahr\u00adhun\u00addert gilt, erst\u00admals 2010&nbsp;in ihrer Solo\u00adper\u00adfor\u00admance \u201eDance for Not\u00adhing\u201c und [&hellip;]"}